摘要
通过对"侬智高身影投射说"的再思考,发现现象背后潜隐的"地方性知识",由此出发探讨大王岩岩画作为族群记忆载体的可能性与特殊性,以及它与地方文化整体表述之间的密切关联,并对地方共同体"书写自身""表达自我"的文化自觉作出解读。
This paper discovers the "local knowledge" behind the phenomenon by rethinking the legend of Nongzhi gao, discusses the possibility and particularity of Da Wang Rock Art as the carrier of ethnic groups and its close relationship with the whole description of the local cultures and describes the community's self-consciousness.
出处
《文山学院学报》
2018年第4期32-36,共5页
Journal of Wenshan University
基金
国家社会科学基金项目"西南地区岩画资源在‘一带一路’建设中的文化优势研究"(16BMZ083)阶段成果
关键词
侬智高
大王岩岩画
族群记忆
Nongzhi gao
Da Wang Rock Art
ethnic memory
