摘要
元嘉体最初见于严羽《沧浪诗话》,举谢灵运、颜延之、鲍照三大家为元嘉体式之代表。但元嘉体作为一种以年号为名的诗体,是立足于时间范围来讲的,必然有别于现代观念中的'体裁''体制'等所建立的文体范畴,但也非完全脱离。对古代文体中的'体裁''体制'概念的考察,可从体裁上的分类和风格,从体制上情志、事义、辞采上的特点,用韵上的发展为元嘉体立体提供具体内涵与条件。
Yuanjiati was first seen in Yanyu’s Canglang Poetry.Xielingyun,Yanyanzhi and Baozhao were the representatives of yuanjiatu style.But yuanjiati as a verse in the name of title,is based on the time scale,must be different from the modern concept of'genre'stylistic categories established by the'system'and so on,but is not entirely out of it.From the characteristics of the subject matter,the development of the rhyme,the difference of the style,as well as the'belonging to the right','dehua','using words'in the poetic law,all can provide specific connotation for the three-dimensional yuanjiati system.
作者
庄亮亮
ZHUANG Liangliang(School of Humanities,Guizhou Normal University,Guiyang 550025,China)
出处
《文山学院学报》
2019年第4期80-82,90,共4页
Journal of Wenshan University
基金
贵州师范大学研究生创新基金项目“刘宋时期诗赋的演化与对举”(YC[2018]004)
关键词
元嘉体
韵律
体裁
体制
Yuanjiati
Yuanjiati rhythm
the poem
verse