《摩尔·弗兰德斯》中被遮蔽的女性叙事声音

The overshadowed female narrative voice in Moll Flanders

18世纪,英国社会经历了从传统农耕社会到早期现代英格兰社会的蜕变。伴随着社会的转型,文化也同时进行着重新的建构。笛福是第一个在小说中把下层女性作为主角的英国作家。本文通过对《摩尔·弗兰德斯》文本深层结构和表层结构的考察,得出了《摩尔·弗兰德斯》是父权制下的话语产物的结论。作为被男性作家创作的女性形象,摩尔的叙事声音被男性的隐含作者所编辑、所规矩。但是摩尔用自己的行动与话语不可思议地破坏了男女关系中既定的秩序,打乱了相对稳定的男权中心社会。

In the 18 thcentury,Britain experienced the great changes from traditional agrarian society to the early modern society. During this social transferring period appeared the new construction of the culture. Daniel Defoe is the first British writer to create a female protagonist in the novel. The reconsideration of the surface structure and deep structure of the novel reveals that Moll Flanders is the discourse product of patriarchal society. As a female character created by a male writer,Moll Flanders' narrative voice is preempted by the voice of the male implied author. However,Moll Flanders,as a female subversive,breaks the established order of male and female,and the relatively stable society of the man-in-center by her unimaginable words and action.