摘要
1949—2000年这半个世纪的中国当代戏剧史,其精神演变的线索可以用一句话来概括:戏剧启蒙理性的消解与重建,或日戏剧现代性的残缺与修复。研究20世纪中国戏剧史,必须首先把握住中国近百年走向现代化的曲折历程这个大背景。因此20世纪中国戏剧史的前半部即通常所说的'现代'与后半部即习惯所称的'当代'这两部分就不过是相互联系着的一个大时段即现代时段而已。描述当代,也应从民族、语言、文化的统一性出发,将大陆、台湾、港澳的戏剧一并纳入史书视野,并以戏剧之现代性的三大特征为坐标,以当代戏剧之演变的四个阶段为参照,来显示历史的真实轨迹。
The development of modern Chinese drama from 1949 to 2000 can be reduced to the research of presence and absence of enlightenment or modernity?The research of drama during this period could be put in a broader context of modernization of the Chinese culture.The paper proposes that drama research could be made from the following perspectives and address to the following key issues.First,an integrated approach covering nation,language,culture should be adopted.Second,the dramatic development in Taiwan,Hong Kong and Macao should also be covered alongside the mainland drama.Third,three aspects of dramatic modernity should be taken into account.Last,four phases of dramatic development should be ascertained.
作者
董健
DONG Jian(Institute of Modern Chinese Literature,Nanjing University,Nanjing)
基金
教育部人文社会科学重点研究基地重大项目《中国当代戏剧史稿》的阶段性成果
