摘要
中国现代文学中的审美主义思潮多着眼于对于人生的慰藉和解脱。实际上,人类对自身生存困境的审美性把握是不得已而为之的选择。审美之于人类的意义在于,它是人类所能采取的表达和呵护人的感性生存体验的唯一方式,而这种感性生存体验的极端强调正是审美现代性的本义。鲁迅以自己的生命和文学化作了审美的面具,作为一个'祭器'朝向现代中国人的生存困境,成为中国现代文学史上的'在高的意义上的写实主义者'。
The aestheticism in the Modern Chinese Literature has focused on art!s function of consoling and freeing.In fact,aesthetic assurance of man in the predicament is a not a good choice.As to the mankind,the meaning of aesthetic activity lies in that it is the only way that can express and bless the mankind’s sensory existence.As a"sacrificial utensil"that mirrors the predicaments of modern Chinese people,Lu Xun’s life and literature can be regarded as taking on an aesthetic mask.In this sense,he is the greatest realist writer in the modern Chinese literary history.
作者
张克
Zhang Ke(Institute of Humanities,Shenzhen Institute of Technology,Shenzhen)
