从《水浒传》看中国古代文学女性意识的觉醒

On the Feminism Awakening in Water Margin

《水浒传》是一部以描写男性为主的作品,对女性形象着墨不多,却与中国古典文学中传统的女性形象截然不同。与那些温柔顺从,才貌双全的女性相比,《水浒传》中的几位主要女性形象如扈三娘、孙二娘、顾大嫂等人都是对传统的颠覆,她们改变了中国古典文学中女性角色依附于男权文化,缺乏女性主体意识的格局。从这些女性身上可以发现中国古典文学中女性角色意识的初步觉醒。

Water Margin is a book focuses on men description.Although its female description is less,it distinguishes a lot from other Chinese traditional classical literatures.Compares with those traditional mild and beautiful ladies,the female characters in this book like Hu San Niang,Sun Erniang,and Gu Daisow,subvert the tradition.The traditional pattern that females’ depending on males,being lack of subjective consciousness has been changed,which reflects the initial awakening of feminism consciousness in Chinese traditional classical literatures.