秋声·谏诤·归田——欧阳修《秋声赋》、《归田录》中的诤臣与困境

Sound of Autumn·Admonition·Retreat ——The Concept of Admonition and Metaphor of His Plight in Ou Yang Xyou’s Chiou-Sheng Fu and Guei Tian Lu

欧阳修的《秋声赋》无论在辞赋史与古文史上,皆具有不可忽略之地位。文章在秋声书写中隐喻了北宋王朝世变中的谏诤困境,以及欧阳对于突破这一困境之路径方法的探寻与思考。因此,藉由欧阳修《秋声赋》与其平生奏议书启诗文的参酌对读,诚不难窥见欧阳修的诤臣困境与世变观照,是为《秋声赋》一文变创性秋声书写的底蕴。而《归田录》诚以"归田"为名,却以"诤臣"为实。从《秋声赋》到《归田录》的书写,既可视为作者一生诤臣自任的文学回忆录,更是一本诤臣历经世变困境、臻至亟思归田的宦海静思录。

Ou Yang Xyou’s Chiou-Sheng Fu has its significance in Song Classical Movement as well as an important representative of the history of the Tang and Song Fu. Chiou-Sheng Fu implies the plight of admonition in the changing world of Song Dynasty, and contemplation upon a possible cultural way to break through the plight. Therefore, Chiou -Sheng Fu should be considered to be Ou Yang Xyou’s silhouette of Jian-Chen and primary literary metaphor of the time. Guei Tian Lu was originally named after the word, retreat. However, it was exactly a masterpiece of Jian-Chen. From Chiou-Sheng Fu to Guei Tian Lu, the literal memoir of a faithful Jian-Chen can be clearly read.