摘要
相比于1980年代"第三代"诗人对日常生活的解构式书写,新世纪以来,中生代诗人在处理日常生活主题方面显得更为成熟和理性。他们将日常书写真正置放到了诗歌的现场,一方面注重在语言创造上作自我超越,另一方面又理性地将日常生活进行诗意的转化;既不随意地对日常题材作简单化处理,也不过分夸大日常书写的重要性,只是将其当作了诗歌书写的常态。中生代诗人这种提纯式的表达方式,源于他们在写作追求上的信念,同时也是对入心写作的有效实践。他们的日常书写对新世纪诗歌美学的重建和诗歌新格局的形成,也有着至关重要的作用。
Compared with the“third generation”poets’daily deconstructive writing in 1980s, Mesozoic poets in the new century appear more mature and reasonable in dealing with the theme of daily life. They really put the daily writing to the poetic scene. On one hand, they pay attention to realizing self-transcendence in language creation. On the other hand, they make the daily life poetic transformation, neither simplifying the daily materials optionally nor overstating excessively the significance of daily writing. They just regard it as the normality of poetry writing. This means of expression---purification derives from their faith of writing pursuit, and it is also an effective practice on the diligent writing. Mesozoic poets’daily writing is also important to the reconstruction of the poetic aesthetics in new century and the form of the new poetic pattern.
出处
《文学与文化》
2013年第3期63-69,共7页
Literature and Culture Studies
关键词
新世纪
中生代诗人
日常书写
语言创造
诗意转化
New Century
'Mesozoic Poets'
Daily Writing
Language Creation
Poetic Transformation