当代历史物象诗的美学原则——以“大雁塔”、“烽火台”、“圣·索菲亚教堂”为中心

Aesthetic Principles of Historical Imagery Poetry at Modern Times——Focusing on Giant Wild Goose Pagoda, Beacon Tower and St.Sophia's Cathedral

历史物象诗是中国传统诗歌的重要组成,当代的历史物象诗经过六十余年的磨砺与流变,在新世纪显现出繁荣而成熟的景致。在诗歌创作中,诗人主体经历了从"以我观物"到"以物观物"的转换过程,从而形成了新世纪历史物象诗的美学原则,即历史物象平面化的解构原则、日常原生态语言的提纯原则与历史重构的拼贴原则。历史物象诗创作的成熟,不仅仅标示出诗人面对现存人生状态时历史观、价值观以及诗人的诗学态度在诗歌中的精神映像,它更是见证当代诗歌发展历史的另一种存在之"物"。

Historical imagery poetry is an important part of the Chinese traditional poetry. Historical imagery poetry at modern times has become prosperous and fully developed in the new century after 60 years of eventful experience. In poem writing, the poets transformed from“viewing objects from personal angle”to “viewing objects from objects’angle”, forming the aesthetic principles of historical imagery poetry at modern times, that is, the deconstructional principle for complanation of historical objects, purified principle of original natural languages and the collage principle of historical reconstruction. The maturity of historical imagery poetry writing not only reflects the poets’historical views and values of existing living condition and their attitudes towards poetic sprite in their poems, but also witnesses the other existing“objects”in modern poetry development.