摘要
从研究范围上,本文的视域首先集中在美国的情况。cult films及相关研究生发于美国的午夜场;而我们接触最多的cult films,也都是来自美国。如今,正如Jancovich指出:"Cult is everywhere。"显然,cult film已经成为某种标志、惯例、策略、手段。那么,为什么它如此醒目?什么是cult film试图关注和表达的东西?而作为一个类型电影的cult horror film,我们该如何理解其中的恐怖元素?
In this paper I will primarily focus my study on the USA context. Nowadays, as what Jancovich pointed out, “Cult is everywhere …a cult film is quickly becoming as powerful a business force as a blockbuster.”To all appearance, the term “cult film”has become a symbol, convention, trajectory and strategy. We should ask then, why they attract ever-increasing attention? What are they trying to explore and express? And as a genre, how should we illustrate horror in cult films?
出处
《文学与文化》
2014年第4期125-129,共5页
Literature and Culture Studies
