摘要
郭泰机的《答傅咸》是一首借女言志的诗歌,其拟代的织女却一改传统怨而不怒的风格。传统的香草美人多以女性的容貌、情感、品德为喻,而郭诗是以女性的才华尤其身份地位遭遇作为象喻的对象,寄托自己出身寒门而怀才不遇之悲。它是第一首反省干谒行为的省谒诗,并开后代以女性象喻用于交际的先河。
Guo Taiji’s'Reply Poem to Fu Xian'is a poem expressing his sentiments using the image of a weaving girl,but this weaver girl changed from the traditional one of silent resentment to one boldly expressing her anger. Traditionally women’s appearance,emotions and moral character had often been objects of metaphors,while in Guo’s poem a female’s talent and status became the object of metaphor to express the author’s sadness of being born in a poor family and not being able to play to his abilities. It was the first poem reflecting on begging for audiences with high-ranking people and began the tradition of using female images in communications.
出处
《五邑大学学报(社会科学版)》
2019年第1期27-31,93,共6页
Journal of Wuyi University(Social Sciences Edition)
基金
广东省社科规划项目"先唐诗歌女性题材研究"(批准号:GD14HZW01)之阶段性研究成果
关键词
寒女
以诗干谒
才华和身份
象喻
Girls from humble origins
Seeking audiences with VIPs by means of poetry
talent and status
metaphors