摘要
"赵氏孤儿"这个故事源远流长,元代杂剧作家纪君祥面对《史记》所记载的两个版本的"赵氏孤儿"故事,选择了《赵世家》的记载为其杂剧作品的框架。本文认为,正是司马迁和纪君祥笔下的主角程婴在生死关头所做的忍辱负重的人生选择及其生存意志,使这一人物与两位作者紧密相连,并成了使一段极易被淹没的历史故事得以生长为戏剧名著的内在驱动力。对于司马迁和纪君祥而言,他们在各自境遇中对所失去之物和世界的"哀悼"与"忧郁"是他们的创作症候,使这部杂剧作品体现出"遗民"作品的特征,并在后世从王国维那里得到了更为激烈的呼应。
The story of 'the Orphan of Zhao' has a long history. Ji Junxiang, the Yuan dynasty dramatist, chose Sima Qian's record in Zhao Aristocratic Family as the frame for his drama when he faced two versions recorded in Shiji. This paper argues that the life choice and the will to live of Cheng Ying, the main character shaped by Sima Qian and Ji Junxiang, link this character to the two writers and further more should be considered as the inner drive that makes a historical story into a dramatic masterpiece. For both Sima Qian and Ji Junxiang, 'mourning' and 'melancholia' for their loss and the world were their authoring symptoms, which donated the feature of 'adherents' work to the Yuan drama and got more intense echoes from Wang Guowei.
出处
《外语教育研究》
2015年第2期7-13,共7页
Foreign Language Education & Research
关键词
赵氏孤儿
叙事内驱力
司马迁
纪君祥
遗民
the Orphan of Zhao
narrative drive
Sima Qian
Ji Junxiang
adherents
