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论中国散文的抒情传统 被引量:7

On the Lyrical Tradition of Chinese Prose
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摘要 海外华裔学者陈世骧先生多年前提出中国文学注定要以抒情为主导,抒情精神是中国的一个文学传统。此观点在学界产生了广泛影响。文章通过对中国散文抒情传统的梳理考察,对陈世骧的观点作出了回应。在追溯中国散文抒情传统流变的基础上,文章归纳出'离—归'情感模式、'乐—忧'情感模式、'喜—悲'情感模式三种抒情形态。从抒情立场和内容上说,西方抒情文学倾向于个性解放,向往理想世界,强调个人的主体价值和自我感情的宣泄;中国的抒情散文更看重个人的感情表达与社会性的统一。就抒情的方式和手法而言,西方抒情文学更多的是采用直抒胸臆、以景喻情的写法;中国的抒情散文也有直抒胸臆的作品,但更多的是采用曲折含蓄、融情于景的表现手法。中国散文不但具有中华民族特有的风骨、气度与神韵,而且蕴含着中华民族的文化精神、文化基因和情感密码。它是中国一笔巨大的文学遗产,也是文化自觉与文化自信的可靠保证。 Chen Shih-Hsiang’s argument that Chinese literature is destined to be dominated by lyricism because lyrical spirit is a tradition in Chinese literature has a far-reaching scholarly influence.By tracing the development of the lyrical tradition of Chinese prose,this article summarizes three emotional patterns:'leaving and returning,''joy and worry,'and'happiness and sorrow.'In terms of lyrical standpoints and content,Western lyricism tend to focus on individual liberations and dreams of an ideal world,emphasizing subject value of individuals and the expression of self-feelings,while Chinese lyrical proses pay more attention to the unity of personal expression and sociality.In terms of lyrical techniques,Western lyricism are more explicit expressions of feelings,by projecting feelings on scenery.Such a strategy is also seen in Chinese lyrical prose,but more often than not,it implicitly combines the expressions of emotion with description of scenery.Chinese prose not only has itsunique characteristics,grace and verve,but also contains the cultural spirit,cultural gene and emotional codes of the Chinese nation.It is a great literary heritage of China,and also a reliable source of cultural consciousness and cultural confidence.
作者 陈剑晖 Chen Jianhui(The Literary Thoughts Center,Guangzhou University,Guangzhou University Town,Guangzhou 510006,Guangdong Province,China)
出处 《文艺理论研究》 CSSCI 北大核心 2019年第4期1-9,共9页 Theoretical Studies in Literature and Art
基金 国家社会科学基金一般资助项目“散文文化与当代文化建设”[项目编号:18BZW155]的阶段性成果~~
关键词 中国散文 抒情性 文学传统 民族精神 Chinese prose lyricism literary tradition national spirit
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