诗人译诗的诗学重构与译者“显形”——以冯译《飞鸟集》为例

Poetic Restructuring and Visibility of Poet Translator:A Case Study of Tang Feng's Translation of Stray Birds

印度诗人泰戈尔的《飞鸟集》在我国深受读者喜欢,汉译本层出不穷,学界研究热度不减。从译者主体性和诗学等视角出发,从字词、韵律、翻译标准等层面入手,对比分析《飞鸟集》郑振铎译本和冯唐译本,研究诗人冯唐在翻译《飞鸟集》中的诗学重构现象,发现译者主观能动意识在文学复译中的价值和意义。

There are many Chinese translations of Indian poet Tagore's Stray Birds. These translations are continuously reemerging as retranslations with considerable new insights. From the perspectives of the poet translating poems, the translator's subjectivity, and poetics, this research,which analyzes the words, rhymes and translation standards,compares Tang Feng's translation version and Zhengduo Zhen's classic version with the original texts. It also studies the issue of poetic restructuring of poet Tang Feng during his translation of Stray Birds, as well as the translator's subjective initiative shown in this process. Thus,it explores the value and significance of literary retranslation.