悬念的“变形记”——从《寻枪》看镜头训导下的文学变异

The Metamorphosis of Suspense From Literature: On The Variation of Literariness Under The Discipline of Shot As The Missing Gun

当前,在视觉文化语境下,文学的影视改编日渐升温,文学在"可视化"的道路上已经渐行渐远。然而,这种文学改编背后的问题也日益引发学界关注。立足于当代导演陆川出道时的一次轰动性事件,即对凡一平小说《寻枪记》的改编,通过进行细读式分析,试图从陆川成名作《寻枪》中的"悬疑"因素之改编入手,对中国文学/电影间性互动中文本要素"可视化"的新问题及其背后镜头规训下文学性流逝等现象进行透视。

In the context of visual culture, the adaptation of literature is growing hot as plenty of literary works have been adapted onto the screen. However, this phenomenon also attracts the attention of academic circles. This article aims to pay attention to the adapting tactics of suspense between the two texts, one named Xun Qiang Ji, an original short story written by a writer Fan Yiping and its version-in-screen named The Missing Gun by director Lu Chuan. Through close reading, this article discloses the new problems behind the interaction of the literature via cinema, such as the discipline power from the camera and the fading away of literariness.