摘要
方岩庙会在现代社会变革中曾被当作落后文化而处于边缘地位,改革开放以来回归民众日常生活并进入各级非物质文化遗产名录,从而成为社会公共文化。在非物质文化遗产保护工作中,应使当地民众保持在方岩庙会活动中的主体性,并使民间文艺展演保持生活化和本真性状态,防止其非自然的"雅化"倾向。
FangMountain temple fair is regarded as a backward culture and placed at marginal status in the course of modern social transformation. Since reform and opening-up, FangMountain temple fair has returned to people’s daily life and rated as intangible cultural heritage at different levels in China. Thus it has become a kind of public culture. In the protection of theintangible cultural heritage, we should make the people keep their subjectivity in the activities of FangMountain temple fair, and make folk performances keep their lifestyle and authenticity and avoid its unnatural tendency of“becoming elegant”.
出处
《温州大学学报(社会科学版)》
2016年第4期33-39,共7页
Journal of Wenzhou University:Social Science Edition
关键词
边缘文化
公共文化
方岩庙会
胡公崇拜
Marginal Culture
Public Culture
Fang Mountain Temple Fair
Worship of Hu God