摘要
潮汕歌谣以畲歌为主 ,多为民间口头传唱。潮汕歌谣有它独特的思想艺术发展轨迹 ,对少数民族歌谣及中国诗歌艺术的继承与革新并形成自己审美特点就是其独特之处 ,其崛起与衰落的原因则与政治运动、文化交流和民族文化的提升有关。
Shantou-Chaozhou folk songs are chiefly songs from the She nationality passing on mostly through oral instruction. This paper makes an investigation into Shantou-Chaozhou folk songs by examining their artistic development and their esthetic features. Also under discussion are the art of folk songs among national minorities, their rise and fall, and the problem concerning the inheritance and renovation of Chinese art of poetry and songs, etc.
出处
《汕头大学学报(人文社会科学版)》
2003年第3期104-107,共4页
Journal of Shantou University(Humanities and Social Sciences Edition)
关键词
潮汕歌谣
发展轨迹
继承与革新
审美特点
崛起与衰落
Shantou-Chaozhou folk songs
track of development
inheritance and renovation
esthetic feature
rise and fall