摘要
本文从美学的角度出发,通过对表现主义音乐所产生的社会语境、哲学语境、思维语境以及其“堕落”因素的剖析,指出表现主义音乐的出现具有合法性。同时,笔者认为由于历史和阶级的客观条件,表现主义音乐也显露出其不可避免的局限性。
The article indicates the validity of the expressionistic music,by analysis on it's social, philosophical, thinking and even the degraded elements. At the same time, the author thinks that under the external and historical backgrounds,the expressionistic music also shows its inevitable limitations.
出处
《天津音乐学院学报》
2003年第2期21-23,12,共4页
Journal of Tianjin Conservatory of Music
