摘要
对“梦”与“境遇”及其关系的思考 ,构成鲁迅前期创作《呐喊》、《彷徨》的核心语汇和中心发展线索 ,通过对五四《新青年》和北京大学主导话语的剥离 ,展示了鲁迅小说创作中这一更深层次的内涵。
Lu Xun's reflections on the relationship between “drean”and“situation”formed the core words and main threads of his “Call to Arms” and “Wandering” in his early writings. The article aims to present the deeper connotations in Lu Xun's fictional creation by separating his writing from the pivotal words which were used in the popular magazine “New Youth” and in Peking University.
出处
《东疆学刊》
2003年第3期78-86,共9页
Dongjiang Journal
基金
国家社会科学规划基金资助项目 (96BZW 0 16 )