从《不老草》看梁上泉的诗美追求和诗体创新

Liang Shang-quan's Aesthetic Pursuit and Creativity in Poetic Style in Never Old Grass

《不老草》别具一格的四辑组合中,第一辑"微型小诗"虽然多属日常感悟的随意点画,但已蕴涵梁上泉对诗要"真、情、深、新、精、音"的总体选择;第二辑"六弦琴续弹"则是这种总体选择的定向延伸,标志着他将中国传统诗歌所崇尚的内形式美和外形式美融入个人诗美创造的得心应手,对当代汉诗奉献出了六行体律式;第三辑"抒情谣曲"、第四辑"长笛短吹",除了继续着他半个世纪以来诗路寻绎的主要轨迹,也对当代汉诗体式的多样化和多向性提供出了一个可描摹坐标。经由《不老草》,不仅可以更切近地认识梁上泉其人其诗,而且对于当代汉诗的未来走向将会拓宽视野和增添乐观。

In the set of books of Never Old Grass there are four parts:'mini-poetry' in 1~st part belongs to everyday feeling and also Liang Shang-quan shows his whole choices to poetry; 'six-stringed qin playing on' is its extension in this whole choice and marks his great skill at combining the intellectual and physical forms in the poetic beauty of Chinese traditional poems and forming the six-line poem style;'lyric ballads' and 'flute-playing shortly' tell his chief route in exploring poems for half a century and also offer a portrayal direction to the variety and multidirection of Han poetic style. By reading this set of books, one can closely know Liang Shang-quan and as well have a wide view of the Han poem trend with delights.