摘要
本文讨论的是一种南侗民间的重要歌种———嘎老———在当代语境中呈现出的传承变迁现象。文章以“乡间”、“学校”及“舞台”这三种场域来概括当代嘎老传承的主要方式 ,并试图解释民间歌唱传承方式变迁中所蕴涵的音乐与文化意义。
What this paper discusses is the transmission's transformation of Kgal laox, an important kind of folk song of south Dong people. Three ways of transmission in places of 'village', 'campus' and 'concert hall' are described to narrate the Contemporary Kgal Laox's transmission, with an attempt of explaining the musical and cultural significance during the transformation of folk song's transmission.
出处
《贵州民族研究》
CSSCI
北大核心
2003年第4期31-38,共8页
Guizhou Ethnic Studies
关键词
嘎老
传承
传承变迁
学校
舞台
音乐变迁
kgal laox dong's dage transformation of transmission campus concert hall
