摘要
五声调式在我国有着悠久的历史和广泛的群众基础。建立在五声调式基础之上的调式交替,有同宫系统调式交替、变宫系统调式交替和调式半交替三种形式,在中国传统乐学理论中亦称“旋宫”或“移宫”。这种调式交替手法与现代歌曲写作技法在现代歌曲创作中结合运用,是发展乐思,丰富音乐语言,突出歌曲旋律音调个性特点,表现民族和地方风格的一种重要的创作手法,给民族民间音乐在音乐创作上注入了新的活力,赋予了新的意义,因而更加符合现代人的欣赏观念与审美情趣。
Five-tone mode has a long history and a solid mass base. The combined application of mode substitution technique and songs writing skill in modern songs creation is the most important artistic technique in enriching music language, giving prominence to the characteritics of melody and displying national and local style. It also pours vigor into the creation of folk music and matches the appreciation sense and values of modern people.
出处
《商丘师范学院学报》
CAS
2003年第6期143-145,共3页
Journal of Shangqiu Normal University
关键词
歌曲写作
调式交替
同宫系统调式交替
变宫系统调式交替
调式半交替
songs writing
mode substitution
mode substitution in Tonggong system
mode substitution in Biangong system
semisub-stitution of mode