摘要
英国经验主义美学促成了美学研究重点从审美客体和美的本体向审美主体和审美意识的转变,并把审美经验作为美学研究的出发点,创造性地提出“内在感官”说和“审美趣味”论,深化了对审美活动特点和规律的认识。它使美学由形而上的思辨研究开始主要转向具体经验的研究,形成了以经验归纳和心理分析为特色的新范式,为美学注入了“观念联想”、“审美同情”等新观念。它结合时代特点,对美、崇高等传统美学范畴给予新的阐释,注入新的内涵,以诸多原创性理论丰富了西方美学,并影响着近、现代美学发展。
Britain Empiricism Aesthetics contributes to the transmission of aesthetics research from aesthetic object and beautiful noumenon to aesthetic subject and aesthetic consciousness. Taking aesthetic experience as the starting point of aesthetic research, it originally puts forward the theory of ' innate sensory organ' and 'aesthetics interests' , which deepens the recognition of the features and regularity of aesthetic activities. It gives new connotation to the traditional aesthetics category, such as beauty, royalty, which greatly enriches the western aesthetic and has influence on the development of modern aesthetics.
出处
《华中师范大学学报(人文社会科学版)》
CSSCI
北大核心
2003年第6期84-91,共8页
Journal of Central China Normal University:Humanities and Social Sciences
关键词
审美经验
内在感官
趣味
观念联想
同情
美
崇高
aesthetic experience
innate sensory organ
interests
conception imagination
sympathy
beauty
royalty