摘要
《文心雕龙》中的《明诗》篇,主要论述诗歌的历史沿革,但其中些许微言大义,在一定程度上揭示了诗歌创作的基本特质。本文将从文体流变、艺术创生与风格范式三个方面,探讨刘勰诗学中的“折衷”与“求通”思想以及自然为美的理念。
As is discerned in the Mingshi (Rediscovery of Potery)section of Wenxin diaolong (Literary Mind and Carved Dragon),its key formulation provided within is concerned with the historical evolution and development of poetry as a whole. It offers certain insights and notions that are subtly and pro-foundly exposing or revealing some most fundamental features of poetic creation. This paper attempts to look into Liu Xie's poetics with focuses on such conceptions as 'zhezhong' (correct inclusiveness) ,'qiu-tong' (holistic vision),and ziran weimei(naturalness as beauty),etc. All this is to be conducted in view of stylistic change, artistic making and poetic paradigm.
出处
《华中师范大学学报(人文社会科学版)》
CSSCI
北大核心
2003年第6期66-71,共6页
Journal of Central China Normal University:Humanities and Social Sciences
关键词
文体
折衷
求通
感物吟志
自然
雅润
清丽
style
correct inclusiveness
holistic vision
inspiration(from things)and expression(of feel-ings)
naturalness
gracefulness
elegance