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《文心雕龙·明诗》三题 被引量:3

Looking into Liu Xie's Poetics in His Rediscovery of Poetry
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摘要 《文心雕龙》中的《明诗》篇,主要论述诗歌的历史沿革,但其中些许微言大义,在一定程度上揭示了诗歌创作的基本特质。本文将从文体流变、艺术创生与风格范式三个方面,探讨刘勰诗学中的“折衷”与“求通”思想以及自然为美的理念。 As is discerned in the Mingshi (Rediscovery of Potery)section of Wenxin diaolong (Literary Mind and Carved Dragon),its key formulation provided within is concerned with the historical evolution and development of poetry as a whole. It offers certain insights and notions that are subtly and pro-foundly exposing or revealing some most fundamental features of poetic creation. This paper attempts to look into Liu Xie's poetics with focuses on such conceptions as 'zhezhong' (correct inclusiveness) ,'qiu-tong' (holistic vision),and ziran weimei(naturalness as beauty),etc. All this is to be conducted in view of stylistic change, artistic making and poetic paradigm.
作者 王柯平
出处 《华中师范大学学报(人文社会科学版)》 CSSCI 北大核心 2003年第6期66-71,共6页 Journal of Central China Normal University:Humanities and Social Sciences
关键词 文体 折衷 求通 感物吟志 自然 雅润 清丽 style correct inclusiveness holistic vision inspiration(from things)and expression(of feel-ings) naturalness gracefulness elegance
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参考文献4

  • 1[1]童庆炳主编.现代心理美学[C].北京:中国社会科学出版社,1993.
  • 2[2]黄侃.《文心雕龙》札记[M].上海:上海古籍出版社,2000.
  • 3[6]王运熙,周锋.《文心雕龙》译注[M].上海:上海古籍出版社,1998.
  • 4[7]祖保泉.《文心雕龙》选析[M].合肥:安徽教育出版社,1985.

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