《九歌》“代拟”艺术研究

The Artistic Research of nine Soings' Antanomasia

诗歌的“代拟”艺术萌芽于《诗经》,至屈原《九歌》而进入艺术表现的成熟阶段。《九歌》的结构,适应祭祀程式特点,有“叙赞式”、“对唱式”、“寻觅、纪行式”之拟写变化;《九歌》表现神鬼情状。拟写了情景交融的环境氛围,各具风神的衣饰扈从、维妙维肖的神态、心理;《九歌》“代拟”语言风格多样.切合所祭神灵的身份与特点,再现了奇幻的神灵世界。屈原对中国古代诗歌的“代拟”艺术作出了巨大的开拓和贡献。

Sprouted from The Book of Songs,antanomnasia in Nine Songs arrives at mature stage of artistic performance.The smuture of Nine Songs is suited to narrative features of offering sacrifices to gods or ancestors,which contains the style of narration,the style of an- tiphonal singing and the style of exploration and travel notes,etc.Nine Songs shows the situation of gods and ghosts modelled the surrounding of feding and setting happily blended and described the different clothes,adornment and the absolute lffelibe manner Antanomasia in Nine Songs owns diversified styles which are fit for status and features when affering sacrifices to gods or ancestors and reproduces the mystical di- vine varld.Qu Yuan made great opening and contribution to the art of antanomasia in Chinese ancient poems.