境界创造浅论

An Argumentation on the Creation of Artistic Conception

王国维认为诗词的本质是境界,而境界的创造首先要创作主体能观物、观我,对物、我两个审美静观的对象做到洞然于心。创作主体在静观之时要善入善出,入则体物体情能真而切,出则能写之。这是境界创造的酝酿阶段。境界的创作王国维特别强调“真”,一是所写是自己的真实感受,二是要忠实自然的表达;这要求创作主体要做“赤子”。在具体创作时,王国维提出“不隔”的标准,以之衡量语言、用典、借用境界等问题,反时不真切的借用语言典故和境界。王国维的境界创造论是中西文艺理论结合的成果。

Wang Guowei believes that the artistic conception is the essence of poetiy. The creation of artistic conception in a poem requires that the poet aesthetically taste things as well as his self so as to perceive the both inside out This is the phase of gestation for the creation of artistic conception. To achieve this purpose, Wang Guowei lays special emphasis upon 'TRUENESS', which calls for the poet's true and natural outlet of what is inside his innermost depth. Wang Guowei also put forwards a criterion called 'Bu Gei' to appraise the language and allusions of the poem. Wang Guowei's 'Creation of Artistic Conception' is a production out of the blend Sino-western literary theories.