好莱坞电影中不同叙事结构的人物塑造

The Character Shape in Different Structure of Holywood Film

电影是从戏剧中产生的 ,电影的作者们始终探索着突破戏剧化模示。本文以经典好莱坞的侦探类型片《唐人街》的剧本前十页为例 ,分析经典好莱坞电影中的人物塑造。该片人物大都是静态的叙事媒介 ,他们激化并最终从属于情节的运转 ,这与亚里士多德的经典戏剧理论是一致的。而《公民凯恩》是好莱坞经典叙事的突破和新商业片的模示 ,以闪回结构塑造人物 ,跨越时空 ,切换凯恩的一生的不同时期。该片塑造的人物是有血有肉的 ,多维度的 ,“现实主义”的个性化的人物。

Film comes from drama, Film producers have been trying to break through the dramatized pattern. Let's take the detective film Chinatown as an example to analyse the character modelling in classical Hollywood films.Most of the characters are static narrating media, They intensify and subordinate to the last plot.It is consistent with Aristaotle's classical dramatic theory.Citizen Kain is a break through of Hollywood classical narrative film and a model of new commercial film.It lists the outline of the plot,the models the character in flash back, leaps over time and space to show different periods of Kain's whole life. It's character is living, multi-dimensional, realistic and individual, It is also through flash back that the film realizes its description of this realistic character and self-examination of American society.