摘要
玛丽·锡德尼(Mary Sidney,1561-1621),是菲利普·锡德尼(Philip Sidney,1554-1586)的妹妹,被她那个时代的许多诗人称为"缪斯"和"莎孚";被威廉·布朗(William Brown,1590-1645)誉为"一切诗章之源"[1],被埃德蒙·斯宾塞(Edmund Spenser,1552-1599)称为"女性的饰品"[2]68。她是英国历史上第一个出版戏剧的女作家,她和哥哥菲利普·锡德尼共同释义的《锡德尼圣歌》被约翰·邓恩(John Donne,1572-1631)称为"以最高雅的方式表达最崇高的内容"[3]。围绕这个英国文艺复兴时期卓越女性的诸多研究免不了提到有关她的绯闻和臆测,诸如她与其兄的关系、她和莎士比亚及其作品的关系等。
Mary Sidney, the sister of Philip Sidney, was praised as Muse or Sapple by her contemporary poets. William Brown hailed her as 'the subject of all verse' and Edmund Spencer called her 'the ornament of women'. She was the first English lady to publish her dramas. The Sidney Psalms, the great works by her and her brother, was highly praised by John Donne as 'The highest matter in the noblest form'. Concerning her, the outstanding lady in the English Renaissance, many gossips spread such as the relation of her to her brother; the relation of her to Shakespeare, etc.
出处
《西安电子科技大学学报（社会科学版）》
CSSCI
2014年第6期108-114,共7页
Journal of Xidian University：Social Science Edition
基金
陕西省社科界2014年度重大理论与现实问题研究项目(2014Z096)
