摘要
文艺美学作为中国独特的美学学科,近年引起了学术界特别的关注。根据赛义德关于西方现代性理论引入东方国家时的"理论旅行"的四个步骤理论,自王国维从日文转移aesthetica为"美学"开始的百年来中国现代美学的发展,文艺美学在中国的出现,有文化传统和文化接受的必然原因。
As a distinctive discipline of aesthetic in China, Literary Aesthetic is drawn special attention by academe recently. By means of the viewpoint from Edward W.Said on four steps of theoretical journey while western modernity theory introduced to oriental countries, the author analyses the development of Chinese modern aesthetic after 'aesthetica' was translated from Japanese by Wang Guowei about 100 years ago, and attests in the conclusion that there are necessary causes of culture tradition and culture acceptance to Literary Aesthetic appearing in China.
出处
《西南师范大学学报（人文社会科学版）》
CSSCI
北大核心
2003年第4期138-143,共6页
Journal of Southwest China Normal University(Philosophy & Social Sciences Edition)
基金
教育部普通高校人文社会科学研究基地山东大学文艺美学研究中心课题<全球化语境下的中西文艺美学比较研究>。
