论以作品为中心评价文学现象的必要性

On the Necessity of Work-Centered Concept to Evaluate Literary Phenomena

当代中国文坛特别是诗坛只是表面上热闹,而不是本质上进步;外在的争论不断,甚至激烈的官司不断,然而并非真正的繁荣。诗歌的进步与发展,只能靠诗人的诗歌创作、批评家的诗歌批评写作和理论家的诗歌理论生产,而不是靠外在于此的种种社会活动与文化生活。要建立以作品与作家为核心的文学观念,提倡以作家和作品为基本对象的文学批评,提出以作家与作品为主要内容的文学理论,以文学和艺术创作为主导的社会文化结构。我们如果能够认识到以作品为中心评价文学现象的必要性和重要性,就可以解决如何促使诗歌与文学取得真正发展与繁荣的问题。

In China,the contemporary literary forum,especially the forum of poetry,seems to be prosperous with never-ending disputes,which even result in lawsuits.The seeming prosperity doesn’t mean there is any essential advancement in literature.In fact,the advancement of poetry largely relies on the poets’poetic creation,the critics’critical writings on poetry and the theorists’innovation of poetic theory.Therefore,it is necessary for us to form the work and writer-centered literary concept,advocate the literary criticism that takes the writer and work as fundamental objects,promote the literary theory that focuses on the writer and work and the social and cultural structure that takes literary and artistic creation as the guide.If we realize the necessity and importance of work-centered concept to evaluate literary phenomena,we can solve the problems of literary advancement and prosperity.