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喀什维吾尔民歌旋律形态分析 被引量:1

Analysis on Melodic Structure of Kashgar Uyghur Folk Songs
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摘要 节奏与音高是构成旋律的基础。喀什维吾尔民歌中2/4、4/4是主要节拍,5/8、7/8是特色节拍。在具体的节奏进程中,前紧后松、强位休止、连续切分、节奏贯穿是典型的节奏规律。音调方面,错落有致的级进环绕与跳进是音调的基本样态,平行级进的上行起始、三度下行的结尾收束、小二度与增二度的频繁环绕是典型的音调模式。 Rhythm and pitch is the foundation of a melody. 2/4 and 4/4 is the main meter in Kashgar Uyghur folk songs,5/8 and 7/8 is the distinctive meter. In the process of rhythm,compact notes in the front and long tones in the behind, rest on downbeat, continuous segmentation, rhythmic pattern throughout,are all the typical rhythm patterns. In the aspect of pitch, regular conjunct motion and disjunct motion is the basic form of tones. Starting with an ascending conjunct motion,and in the end with a descending third,frequent small amplitude with minor second and augmented second are all the typical patterns of tone.
作者 杨银波
出处 《新疆艺术学院学报》 2015年第2期47-51,共5页 Journal of Xinjiang Arts University
关键词 喀什民歌 旋律形态 节奏形态 音高形态 Kashi folk song Melody form Rhythmic pattern Tonal patterns
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  • 1袁静芳主编.中国传统音乐简明教程[M]. 上海音乐学院出版社, 2006

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