摘要
以勒·柯布西耶去世前未完成的斯特拉斯堡议会大厦为案例,发掘其暗含的语言模式和观念发展,试图找到常规话语之外的建筑自主性、语法和句法。其中的分析承袭彼得·埃森曼的分析方法并试图有所发展。拟讨论柯布如何发展其现代主义的原则,以开拓新的可能性。分析着重于概念表达在同样背景文本中的转变:从平面语法到立体操作,从前后景深的变化到垂直方向的动态,以及建筑语汇如何成为一组语言结构上相互照应的共同体。历经数稿方案,柯布最终成功地实现了空间秩序的营造、等级化和消解。最后讨论该案例如何在思想和设计操作两个层面成为后人思考的起点。
The Palais des Congres de Strasbourg is one of the un-built projects by Le Corbusier before his end of life.This paper investigates the project and tries to examine the model of design language and the development of ideas to find out the autonomy,grammar and syntax in the design process.The analysis followed Peter Eisenman’s method and tries to develop it.In the paper,we will see how the original ideas about modem architecture developed and how Le Corbusier find new possibilities in modem architecture.Especially,in this project we find out how order is established and loosed.
出处
《新建筑》
2019年第2期89-93,共5页
New Architecture
