摘要
文章从"戏剧学"学科的发展和学科间的隶属关系谈起,从戏剧本体论出发,廓清了戏剧学与文学、艺术学以及影视学之间的关系的流变。重点讨论戏剧学的本质内容和重点问题,以及与社会学、心理学、宗教学、人类学等社会科学之间的关系,并由上述两个方面归纳出"戏剧学"学科的理论根基。最后指出当下"戏剧与影视学",特别是戏剧学学科结构、理论与实践关系、人才培养中存在的问题,并指出"戏剧学"内涵的缺失。
Starting from the development of 'Theatre Studies' and the subordinate relationship between disciplines, the article starts off with the theatre ontology, and clarifies the evolution of the relationship between theatre studies and literature, the arts, as well as film and television studies. Then it focuses on the essential content and foundation of theatre studies, and its relationship with sociology, psychology, religion, anthropology and other social sciences. Finally,it points out the problems existing in the current 'theatre studies and film and television studies',especially in the discipline structure of theatre studies, the relationship between theory and practice, and the cultivation of experts. Finally, it points out the problems existing in the current'theatre studies and film and television studies', especially in the discipline structure of theatre studies, the relationship between theory and practice, and the cultivation of experts. This article also demonstrates that more contents of theater studies need to be filled in.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2019年第1期8-14,共7页
Drama:The Journal of the Central Academy of Drama
关键词
“戏剧与影视学”
戏剧本体
学科根基
人才培养
'theatre studies and film and television studies'
theatre ontology
the foundation of a discipline
talent-cultivating