生态审美学与审美理论知识的有效增长

Eocaesthetics and the Effective Growth of Aesthetic Theoretical Knowledge

以1735与1972两个年份为时间坐标,可以将整个美学史划分为前现代、现代与后现代三个历史阶段。生态审美学属于后现代美学,是对于现代美学的批判超越。生态美学研究的学术信念是追求审美理论知识的有效增长,创造能够超越现代美学的新型审美理论知识。基于这种学术信念,构建生态审美学的最佳途径就是批判并超越以康德美学为代表的现代美学,在准确把握康德美学原义的基础上对之进行生态阐释和重构,也就是站在当代生态哲学的高度,根据康德《判断力批判》的理论思路,言康德所应言而未言。这样的学术研究方式既可以回答现代美学为什么是非生态的,而生态审美学为什么是生态的,从而推动审美理论知识的有效增长。

Taking 1735 and 1972 as the temporal marks,the whole history of aesthetics might be divided into the following three historical stages,the pre-modern,the modern and the post-modern.As post-modern aesthetics,Ecoaestheitcs aims at criticizing and transcending modern aesthetics.The scholarly belief of ecoaesthetics research is in the effective growth of aesthetic theoretical knowledge,which means to create new type of aesthetic theoretical knowledge to transcend modern aesthetics.Based on this kind of scholarly belief,the best way of constructing ecoaesthetics is criticizing and transcending modern aesthetics represented by Kant’s aesthetics.Only by adopting this way of academic research,can we answer the following two questions at the same time:why modern aesthetics is nor-ecological and why ecoaesthetics is ecological.