摘要
《白鹿原》是一部具有浓郁文化意识和文化品格的长篇小说。作家陈忠实在面对儒家传统文化中精髓和糟粕共存亡的两难困境时 ,乐于把传统文化置于神化的中心地位 ,因而在一些人物的塑造和情节的安排上带有多方面的主观化缺憾 ,如正面人物的“样板化”、人物命运发展的“意图化”以及偶然性和必然性的混淆 ,其结果是违背了真实这一艺术创作的原则 。
The White Deer Plain is a novel with strong cultural consciousn ess and cultur e character. Facing the awkward predicament that the marrow and waste matter of traditional culture live or die altogether, the writer is glad to put tradition al cultures in the deified cetre position,so there are many aspects of the subje ctive shortmings in characterization and the arragement of the plots,such as 'm o delization'of 'positive characters','intentionization' that character's dest i ny in the future and the obscuring of the contingency and certainty .Its result must violate this artistic creation principle of 'true' and weaken the critici zing sprit of modern humanity in the novel.
出处
《甘肃教育学院学报(社会科学版)》
2004年第1期31-34,共4页
Journal of Gansu Education College(Social Sciences)
关键词
儒家传统文化
回归
蕴藉性
意图化
偶然性
必然性
the traditional culture of the Confucianists
return
the nature of contain ing
intentionize
contingency
inevitability