华语电影中同性恋银幕形象的演化研究——从历史发展脉络的视角

Research of the Evolution of Homosexual Screen Images in Chinese Movies:From the Perspective of Sequence of Historical Development

本文从历史发展脉络的视角出发,以华语电影中的同性恋银幕形象为研究对象,对其演化历程进行探讨。文章以20世纪90年代为分界线,借鉴时间脉络的划分方法,对华语电影中的同性恋银幕形象在不同历史发展时期中所呈现出的不同类型和特点进行总结,追溯其从诞生发展至今的变革与演化的历程。研究发现,随着时代理念与社会价值的日趋多元与包容,电影中的同性恋银幕形象也呈现出由银幕角色单一化向丰富多样化的转变,人物命运由悲剧向喜剧或开放式的结局转化,而影片的风格基调也由压抑苦闷转向轻松愉快。

From the perspective of sequence of historical development, the essay regards the homosexual screen images as research subjects, aiming to explore their evolution history. The 1990 s, as a crucial time line in this essay, is used to divide the different ages of Chinese homosexual movies. And the essay analyzes the types and characteristics of homosexual screen images in different ages in Chinese movies according to the division method of time sequence, showing the evolution process of homosexual screen images from the birth until now. In conclusion, the study finds that the homosexual screen images in Chinese movies show typical changes as the society has become more diversified and inclusive. First of all, the homosexual screen images are increasingly multiple and diversified, breaking up the single period. Second, the fate of characters in the movies converts tragedy into comedy or open ending. Finally, the style of movies becomes relaxing and delightful, which is different from the depressing mood in the films before.