摘要
在中国传统的审美哲理中,存在着特殊的忧郁审美情结。在这种审美取向下营造的文人山水园林,也表现出特殊的审美取向,即对材料非常态或曰病态的运用,以及特定场景下对“丑、瘦、枯、荒、病、残、寂”的咏唱,映现出以愁为美、以悲为美的诗心。文章认为,只有深刻理解民族文化造园的哲理观念和审美情趣,才能透过表象+认识中国园林中的病态美,从而实现清新理智的超越和提升。
In the philosophy of the Chinese traditional aesthetics, there is a special blue aesthetical criterion. The gardens that are created based on this kind of aesthetical standard also present a special 'morbid beauty'. That is, the unusual usage of material morbidity and the singing for 'ugly, thin and bony, withered, barren, dilapidated and lonely' is to reflect the spirit of poem which considers the misery and sadness as beauty. The article believes that none but the deeply comprehension of the common philosophy notions and aesthetical penchants of different nations can make the morbid beauty of Chinese gardens be recognized so as to realize the transcending and promotion of the sober intellect.
出处
《中国园林》
2003年第12期60-62,共3页
Chinese Landscape Architecture
关键词
风景园林
古典园林
忧郁审美
园林病态美
中国
民族文化
Landscape Architecture
Classical Landscape Architecture
Blue Aesthetical Criterion
Morbid Beauty