摘要
本文就清唱剧《长恨歌》在创作背景、创作思想、创作技法等方 面,进行了较全面的阐释与分析;在其旋律个性、旋律风格、旋 律发展等方面,进行了较深入的探讨与研究,并针对黄自在作 品中对中西方音乐风格结合的探索提出了自己的见解。
The author explains and analyses completely the creative background, ideas and techniques, and probes into and researches deeply the melodic feature, style and development etc. of the oratorio Song of Hatred. Also the author puts forward her own opinions to HuangZi's study of the combination of Chinese musical style and the West one in this musical work.
出处
《乐府新声（沈阳音乐学院学报）》
2002年第4期3-7,共7页
The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
