动作与戏剧性:谭霈生戏剧本体理论的基石

Action and the Dramatic: Cornerstones of Tan Peisheng's Theory

戏剧是动作的艺术 ,戏剧的心理—动作本质是戏剧的戏剧性所在 ,而戏剧理论的核心问题就是戏剧性的问题。有关动作与戏剧性的论述 ,构成谭霈生戏剧本体理论的基石。谭霈生以“人”的因素为理论起点 ,探索戏剧的本体意义 ,提出“所谓‘戏剧的本体’也就是情境中的人的生命的动态过程。”他在“动作”本质论中加进了心理的内容 ,在“意志冲突”与“社会冲突”之外提出了“性格冲突” ,分析了“情境”的不同形态 ,提倡再现与表现的融合 ,所有这些观点 ,不仅建立了谭霈生先生独特的戏剧理论体系 ,同时也推动了中国戏剧理论的建设。

The art of theatre is the art of action. Tan Peisheng analyses the concept of psycho-action as the keystone of his ontological theory of theatre. With humanity as his historical and logical start-point, Tan explores the essence of theatre in terms of action, conflicts, “passion-situation', reflection and expression, and constructs a creative and systematic theory of theatre.