朴野:《水浒传》的审美追求

Simple and Wild:the Aesthetic Pursuing of "the Water Margin

《水浒传》呼唤着野性 ,其朴野之美呈现为一种显著的审美形态。从整体构思看 ,把神魔的灵异与社会的动荡结合起来 ,给梁山泊的野性强力精神以合理的解释。而好汉们犷悍、粗野的性格与造反的目标结合起来 ,这种朴野之美便表现出正义的理想光辉 ;同时 ,小说对野蛮杀戮场景的再现 ,对环境的描绘 ,对好汉们肖像、绰号、武打、饮食等方面的渲染 ,都显示出朴野之美。《水浒传》对朴野之美的追求 ,不仅是宋元的社会现实促成的 ,也是中国俗文学不断发展壮大的必然结果 。

The Water Margin' calls wild nature, its simple and wild beauty appears a kind of remarkableaesthetic form. At the sight of its whole conception we can find th at it explains the wild and strong spirit ofLiangshanbo rationally to combine th e supernatural clever of spirit with the turbulence of the society together. Andthe brave men not only have the tough and intrepid and wild dispositions but als o have the goal of rebelling. So thiskind of simple and wild beauty demonstrates the ideal glory of justice; Besides, the novel demonstrates simple andwild beau ty by reproducing the scene of wild massacre, describing the environment, playin g up the brave men′srespects, such as portrait, nickname, acrobatic fighting an d diet, etc. The pursuing aesthetically to the simple andwild of 'the Water Margi n' is the inevitable constantly developing outcome of Chinese popular literature , theaesthetic and interesting adjustment and transition of several generations of speakers and scholars.