摘要
据历史文献记载,中国最早的谱式是记载在汉代成书的《礼记·投壶》篇中的鼓谱;最具中国传统音乐特点的记谱方式,是集记录音响过程和演奏技法为一体的古琴专用的文字谱和减字谱。在欧洲地区,随着圣咏的传播而发展创立了一套五线谱记谱体系,从而成为当今记录音乐的通用谱式。从音乐记谱法发展史来看,不管是中国还是西方,都经历了较为复杂的发展过程。20世纪音乐数字化的实现,使记谱法呈现出多样化发展的方向,并将在现代科学技术的推动下取得全面而创新的发展。
It is recorded that the earliest notation in China was a notation written for drums, as mentioned in a book Liji Touhu which was finished in Han Dynasty.This notation was the most typical one that was characterized by the Chinese traditional music, as well as one that was specialized for the seven - stringed instrument and used for recording the musical process and preforming skills.In some European religions, the five - line staff, the most popular notation today, was established with the spread of the Anthem.However, both Western and Eastern notations have experienced a complex progress.With the accomplishment of digitalzation of the twentieth - century music, the development of notation turns out to be of diversity and will be completely improved by the contemporarily scientific technique.
出处
《漳州师范学院学报(哲学社会科学版)》
2003年第4期56-60,共5页
Journal of Zhangzhou Teachers College:Philosophy and Social Sciences