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论油画的中西融合之路 被引量:3

A Road to the Compromise of the Eastern and Western Oil Painting——On the national style of Chinese oil painting
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摘要 100年来中国油画的发展历程表明,在研究与学习西方油画的过程中,愈是深入其堂奥,愈是会感受到中国传统艺术之珍贵,也愈是促使油画家们在油画语言中做融合民族传统因素的尝试。引进和学习别人的最终目的,是为了自身的创造。油画民族风格的形成应该是一个自然的过程,画家在以油画描绘中国的现实生活时,就已经自觉或不自觉地形成了让这种外来的绘画形式具有与所描绘对象及其文化背景相适应的新特色,这种“新特色”的出现意味着创造,意味着油画在中国土壤上的拓展。中西艺术精神的融合会使中国油画语言更具含蓄性和抒情性,更富有诗意。中国油画会以其鲜明的民族风格在世界艺术史上留下辉煌的篇章。 According to the developing course of Chinese oil painting over the 100 years, and in the studying and learning of the Western painting, we have found out that the deeper we get into the profundities the dearer the Chinese traditional art will be, and the more the artists will try to fuse the factors of national traditions in the language of oil painting. The final purpose of importing and learning others'is to create by our own. The formation of the national style is supposed to be a natural process. When an artist is describing the Chinese real life, a new feature will be formed, which the imported form has to suit the subject and its cultural background. The appearance of this new feature means creation and the expansion of oil painting on the Chinese soil. The compromise of Eastern and Western art spirits will make the language of Chinese oil painting more implicit and lyric, and more poetic as well. With its bright national style, Chinese oil painting will surely be illustrious and resplendent.
作者 周晨阳
出处 《贵州大学学报(艺术版)》 2003年第4期37-40,共4页 Journal of Guizhou University Art Edition
关键词 中国油画 发展历程 中西融合 民族风格 Chinese oil painting the course of development compromise of the East and the West
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