摘要
范宽的《溪山行旅图》是北宋山水画的典范之作,并将北宋山水画的“无我之境”推向极致。崇尚自然,描绘自然山川之雄伟,不仅是范宽通过《溪山行旅图》所要传达出的个已的理想,更是从古至今每一位山水画家孜孜追求的美的理想。
Fan Kuan' s 'Traveling amid Mountains and Streams ' was a model of the landscape paintings in the Northern Song Dynasty. In the painting, 'scene without me' , which was a style in landscapes in Northern Song, was put on the crest. To advocate the nature and to describe the grand natural landscape were not only the ideals that Fan Kuan himself transmitted through ' Traveling amid Mountains and Streams ' , but also the ideals of beauty that any landscape painter in all ages has been earnestly longing for.
出处
《贵州大学学报(艺术版)》
2003年第4期90-92,共3页
Journal of Guizhou University Art Edition
关键词
范宽
溪山行旅图
自然美
道
精神
语言
Fan Kuan
feature of painting
natural beauty
Daoism
spirit
language