摘要
杜甫的论画诗记述了不少当时的绘画作品,是唐代绘画的记实,反映了唐代绘画的盛况和风貌。杜甫的论画诗也是形象的画论,通过对画家、作品的赞颂,阐明了诗人师法造化、以形写神、取舍剪裁、精心构思等艺术主张以及严肃认真的艺术创作态度。在论画的同时,常常言及对社会、人生的看法,注入无限的神思,表达了对国家命运的关注及奋发有为的远大志向,另一方面,对画家的不幸遭遇则深表同情,也流露了自己抱负不能实现的郁愤之情以及向往山林之意。
Du Fus poems on paintings recorded many paintings of his age. They truly reflected the features of the paintings in vogue in Tang dynasty. From these poems, we can figure out the authors ideas on art and art creation. While talking about paintings, these poems also illustrated the authors ideas about life and society. The author felt great sympathetic for those painters who were unfairly treated, viewed his future with gloom and expressed the wish to enjoy his life in the forest and mountains.
出处
《南京理工大学学报(社会科学版)》
2003年第6期28-32,共5页
Journal of Nanjing University of Science and Technology:Social Sciences
关键词
杜甫
论画诗
记实
画论
思想
Du Fu
poems on paintings
documental
talk on paintings
ideas