摘要
文章通过对《中国音乐史纲》和《中国古代音乐史稿》写作背景与框架结构作纵向分析与横向比较 ,总结各自的特色与局限 ,以考察杨荫浏在不同历史时期、不同学术阶段的治学特点以及社会环境对学者思维领域的影响与制约。
A comparison of the writing backgrounds and frameworks between Survey of Chinese Music History and Draft of Chinese Music History reveals the effects and constraints from Yang Yinliu's scholarship and the social milieu in different period or academic stage of his, upon the scope of his thinking,.
出处
《音乐艺术(上海音乐学院学报)》
CSSCI
北大核心
2003年第4期56-63,共8页
Art of Music(Journal of the Shanghai Conservatory of Music)