从空间感知理论谈中国传统戏曲舞台空间

An Analysis of Stage Space in Chinese Opera from Space Perception Theory

中国传统戏曲在舞台空间的处理方式上有着独特的个性和优势 :( 1 )唱念做打的表演 ,创造了虚拟而多变的舞台空间 ,降低了观众对负空间即舞台背景和陪衬的要求 ;( 2 )演员的唱段、富于想像力的表演 ,能够巧妙地完成舞台上空间与时间的结合 ,并进入观众的内心感受世界 ,创造四维的心理时空 ;( 3)

This article approaches the stage space in Chinese opera from the angle of space perception. After advancing the conception of positive space and negative space on the stage, the article discusses their characteristics, mutual complement and balance between their information, and the dialectical relationship of interdependence and interchangeability between them. The author believes that traditional Chinese opera has its own characteristics in the arrangement of opera space: the singing, acting, recitation and acrobatics create an imaginary and changeable opera space; the actors' singing and recitation and imaginative performance skillfully accomplish the combination of time and space on the stage, and make a four dimensional psychological time and space; the positive and negative spaces on the stage are not still or independent.