1984年以来香港电影中内地女性形象的变迁与重塑

Changes and Remodeling of Female Images in China's Mainland in Hong Kong Films Since 1984

“九七”和“CEPA”的签订这两个重要的历史事件一定程度上影响了香港电影中内地女性形象的变迁与重塑:从1984年《似水流年》里塑造的“阿珍”到“九七”回归后人文关怀下刻画的底层女性,再至“CEPA”后全新女性形象。历经数次变迁,最终香港电影实现了对内地女性形象的正面塑造和对大陆的形象认同与文化认同。

The two important historical events of the“97”and“CEPA”have affected Hong Kong movies to a certain extent.The change and remodeling of the female image in the Mainland of China are divided into three price segments:from“A zhen”created in the“Water Year”in 1984 to the bottom women depicted under the humanistic care after the return of 1997,and then a new female image after“CEPA”.Since 1984,the image of mainland women in Hong Kong films has undergone several changes,Hong Kong films have achieved positive shaping of it and the image recognition and cultural identity of the mainland women finally.