摘要
琵琶文曲是文化的结晶,文章将其形成过程放入文化史中考察,进行文化解读。琵琶初入中土,受到的拒斥是文化冲突的表现;其文曲出现的主要原因是与"雅文化"认同、融合的结果;琵琶文曲的艺术原理中表现出典型的传统美学的辨证法则。说明音乐承载着丰富的文化信息,琵琶文曲是不同文化交流、融合的产物。
This paper conducts a survey of the forming process of the absolute Pi-pa music, which is the cultural achievement attained by human being, from a perspective of cultural history. At the very beginning of the introduction of Pi-pa music, it is rejected, which is the indication of cultural conflict. The emergence of the absolute Pi-pa music is due to the identity and combination with elegant culture. The art principle of the absolute Pi-pa music represents a dialectical law of typical traditional aesthetics. It indicates that music bears abundant cultural information, and absolute Pi-pa music is the outcome of cultural exchange and merging.
出处
《集美大学学报(哲学社会科学版)》
2003年第4期106-109,共4页
Journal of Jimei University:Philosophy and Social Sciences
关键词
传统美学
文化观念
琵琶文曲
traditional aesthetics
cultural value
absolute Pi-pa music