摘要
广西左江岩画由左江流域密集分布的临江岩画地点组成,是公元前5世纪至公元2世纪骆越族群相关的宗教仪式活动遗存。作为文化景观的左江花山岩画遗产,表现出规模大、分布集中,位置特殊、绘制难度大,图像单一、重复性强等特征,其特殊文化景观以朱色涂绘的岩画图像为核心,形成了相对独立的、由人工绘制岩画图案与岩画绘制崖壁、岩画前河流及对岸台地等自然环境因素结合的"自然与人联合的工程"。左江花山岩画文化景观的独特遗产价值表现为其图像及景观特征的重复表达,是骆越先民岩画绘制行为、岩画表现宗教仪式的记录与纪念。
Zuojiang rock art of Guangxi Zhuang Autonomous Region refer to the more than eighty rock art locations intensively distributed along the Zuojiang River. The rock art images are observed on the cliffs near the bends of the river and reflect the special ancient ritual activities of local Luoyue ethnic group, who lived in this area from about the 5^(th) century BC to the 2^(nd) century AD. Based on the unique location, every rock art site forms up a relatively independent and closed landscape unit with cliffs, rivers nearby and tablelands on the opposite side. One of the specialties of Zuojiang rock art cultural landscape heritage is the repeat expression of the featured images and landscape character, which was the record and monument of rock art painting behavior and ritual activities of ancient Luoyue ethnic group.
出处
《遗产与保护研究》
2016年第6期6-12,共7页
Research on Heritages and Preservation
关键词
左江岩画
文化景观
遗产价值
Zuojiang rock art
cultural landscape
heritage value