摘要
如同胡同于北京、弄堂于上海,骑楼作为传统文化的一个符号,它的出现虽然只有百年,但已成为厦门、泉州这些城市主要建筑形式之一,足见得它独特的魅力,而厦门骑楼更以其完整且独特的建筑风貌凸显出来。纵观它的形成与发展历史,可清晰看到西方建筑文化在厦门这片土地上与东方文化交融的印记。文章选取厦门最有代表性的4条骑楼建筑街道,从骑楼建筑的空间以及立面特征角度,对4条代表性骑楼进行比较分析,以便更清楚地了解厦门骑楼的形成和发展,为将来厦门骑楼建筑的保护和改造提供有利依据。
Although it appeared only a hundred years, Arcade has become a cultural symbol of Amoy and Quanzhou, which also becomes one of the major architectural forms of these cities. Especially in Amoy, Arcades are more complete and unique in architectural style. From its formation and development history, we can have a clearly view of the imprint of western culture and Chinese culture. This article selected four Arcades which are representative in Amoy,and analysed the differences from architectural space and facade. Thus, we can have a clear understanding of the formation and development of Arcades in Amoy, and provide a useful basis for the protection and renovation of Amoy.
出处
《遗产与保护研究》
2017年第2期136-140,共5页
Research on Heritages and Preservation
关键词
骑楼
空间
立面
arcade
space
facade